I think it was Jimmy Eat World who said that no one makes money on a split 7-inch, which is a shame. This one, featuring Pianos Become The Teeth and Touché Amoré deserves it. On this two song split, each band contributes an excellent song, with striking art direction from Touché Amoré guitarist Nick Steinhardt. The main colors are a deep blue and tan, both of which recur, in a small way, in the art for the other band. He finds urban decay photos interesting. The genre does nothing for me, so I pass over that.
Looking over the .pdf of the layout, I think that's the birds from the "Gravity, Metaphorically" music video in the album art. Yes. Energy and thought were put into the package.
It will not surprise you, I am sure, to hear both songs are about failing relationships. Touche's was one that was built with an expiration date in mind, apparently. "Gravity," of course, is used as a shorthand for knowing the thing you knew was coming came. "Hiding," starts out as one and then veers into avoiding people generally. The black text on tan backgrounds makes the "Hiding" lyrics hard to read without squinting.
At four minutes, "Gravity" may as well be a double feature for Touché Amoré. I'd argue it is, actually. The first half sounds like Touché and the second half sounds like Envy. Perhaps that's a little pithy. I'm an absolute goon for Envy, and so are the Touché boys, so that's a net positive in my book.
"Hiding," by Pianos Become The Teeth is real midtempo. It's one of the best sad bastard songs I've heard in the last couple years. I lived in Western Pennsylvania for four years. I know something about sad bastard songs. I'm struck by the lyric makes you almost miss the smell of smoke in your clothes. Like you knew the memories were bad, but you think fondly of them regardless.
I bought the digital download for $1.50 from Deathwish, which comes with the full album art in the package. I think it's worth your time and a little bit of your money.
Looking over the .pdf of the layout, I think that's the birds from the "Gravity, Metaphorically" music video in the album art. Yes. Energy and thought were put into the package.
It will not surprise you, I am sure, to hear both songs are about failing relationships. Touche's was one that was built with an expiration date in mind, apparently. "Gravity," of course, is used as a shorthand for knowing the thing you knew was coming came. "Hiding," starts out as one and then veers into avoiding people generally. The black text on tan backgrounds makes the "Hiding" lyrics hard to read without squinting.
At four minutes, "Gravity" may as well be a double feature for Touché Amoré. I'd argue it is, actually. The first half sounds like Touché and the second half sounds like Envy. Perhaps that's a little pithy. I'm an absolute goon for Envy, and so are the Touché boys, so that's a net positive in my book.
"Hiding," by Pianos Become The Teeth is real midtempo. It's one of the best sad bastard songs I've heard in the last couple years. I lived in Western Pennsylvania for four years. I know something about sad bastard songs. I'm struck by the lyric makes you almost miss the smell of smoke in your clothes. Like you knew the memories were bad, but you think fondly of them regardless.
I bought the digital download for $1.50 from Deathwish, which comes with the full album art in the package. I think it's worth your time and a little bit of your money.
A friend of mine said I should give that Pianos song a couple listens to let it click, because when it clicks, it's fantastic. He's right. "Hiding," by Pianos Become The Teeth. Enjoy.
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